Caja House / Estudio Aire

first_img Caja House / Estudio Aire ArchDaily Projects 2007 Architects: Estudio Aire Area Area of this architecture project Caja House / Estudio AireSave this projectSaveCaja House / Estudio Aire Save this picture!© Leonardo Finotti+ 22 Share Area:  235 m² Year Completion year of this architecture project Year:  Houses Argentina CopyAbout this officeEstudio AireOfficeFollowProductConcrete#TagsProjectsBuilt ProjectsSelected ProjectsResidential ArchitectureHousesSanta FeHousesArgentinaPublished on April 02, 2010Cite: “Caja House / Estudio Aire” 02 Apr 2010. ArchDaily. Accessed 12 Jun 2021. ISSN 0719-8884Read commentsBrowse the CatalogSinkshansgroheBathroom Mixers – Talis SVinyl Walls3MExterior Vinyl Finish – DI-NOC™ Solid ColorPartitionsSkyfoldRetractable Walls – Stepped & Sloped SpacesDining tablesZeitraumWood Table – TautBathroom AccessoriesBradley Corporation USARoll Towel Dispenser – Electronic TouchlessWoodLunawoodThermowood FacadesAluminium CompositesSculptformClick-on Battens in Victoria GardensMetal PanelsLongboard®Metal Ceilings – DauntlessWoodStructureCraftEngineering – Mass TimberPanels / Prefabricated AssembliesULMA Architectural SolutionsPerforated Facade PanelFiber Cements / CementsDuctal®Rainscreen Cladding Panels for Lightweight Facades in Apartment BlockBricksAcme BrickModular Size BrickMore products »Read commentsSave世界上最受欢迎的建筑网站现已推出你的母语版本!想浏览ArchDaily中国吗?是否翻译成中文现有为你所在地区特制的网站?想浏览ArchDaily中国吗?Take me there »✖You’ve started following your first account!Did you know?You’ll now receive updates based on what you follow! Personalize your stream and start following your favorite authors, offices and users.Go to my stream ShareFacebookTwitterPinterestWhatsappMailOrhttps://www.archdaily.com/54746/caja-house-estudio-aire Clipboard ShareFacebookTwitterPinterestWhatsappMailOrhttps://www.archdaily.com/54746/caja-house-estudio-aire Clipboard Photographs Photographs:  Leonardo Finotti Text description provided by the architects. The project was developed between personal wills and external demands. We enjoy  narrating this process without too much  theory but with architectural responsibility  and enthusiasm instead.Save this picture!© Leonardo FinottiDuring the first meetings we tried to talk with our clients about architecture itself not specifically a home project. We realised it was our opportunity to develop something different between both parties. We were very enthusiastic for we could  have the possibility of reviewing our architectural repertoire. At the beginning there were no specific orders, which arrived as time passed by and started working together. We had  feeling to work as a team , sometimes sharing some points of view concerning  design, some others not.Save this picture!© Leonardo FinottiOur clients were much concerned with the issue of privacy and intimacy as regards life in private neighborhoods such as Kentucky, so we considered it important to be able to appreciate from the inside the decisions taken (morphology, geometry, materials, how to manipulate the natural lighting) rather than the criteria used in such spaces so far.We started working on a criteria based on a central open space . Little by little it became  more radical and the rest of the situations began to subordinate to the yard. We were questioning the modern language leading elements to an almost  primitive instance .The concept of continuous space extends beyond the physical limit of covered surface. The Interior unroofed surface regulates the link with the outside world. One of the faces is an opening with two glass doors. Opening completely enabling to redefine the concept of externality and integrating  the rest of the area.Save this picture!© Leonardo FinottiThe water here incorporates the built mass reflexes. The House becomes its own landscape.  Fragmentation in the section cover is another particular moment of thought and analysis which occurs  not only to  fill the interior of light but to establish a link with nature, incorporating the sky.In general we usually describe our work as a box with a yard inside it denoting a formal will at first place. However the best is inside,  the richer inner space as a result of it . With two photographs from outside the story would be resolved, but it would be impossible from the  inside. The strongest effort was to decide about what not to be done or how to make it simpler .Save this picture!© Leonardo FinottiWe came to only four materials. On top  “white” dominates all items, aluminum resolves openings to the inner patio , the metal for the perimeter gates and glass for transparent and translucent cladding. This reduction is the reaction to a need to avoid excessive thinking of achieving simplicity as a concept.We are satisfied for having being able to provide a contemporary answer leaving aside modern language. Now that the work has been completed we have began to look in time to more distant  examples of it. The colonial House is the first example that appeared. The potential of the yard, the opening  toit,  the gallery, tectonics condition, force walls, the dispossession of ornamentation, the height of the Interior. We are now studying the pompeyana House , which carry this same situations to a more primitive and radical state .  All this working under the concept of modern space.We believe that the contemporary does not have to do with a completely new production or with an indiscriminate repetition of recipes. We are interested in reviewing everything that has already been produced and intervene as little as possible. We have very clear it  is almost ridiculous since our activity lies in filling free spaces . This paradox is which obsessively leads us to focus on the space resulting of it through the manipulation of shapes. We love thinking  that we produce air.Save this picture!© Leonardo FinottiProject gallerySee allShow lessEastern at ArchDailyArticlesApril events at Harvard GSDArticles Share “COPY” “COPY” CopyHouses•Santa Fe, Argentinalast_img read more

Eastern Market Row House Renovation / David Jameson Architect

first_imgArchDaily CopyHouses, Renovation•Washington, United States Houses “COPY” Projects ShareFacebookTwitterPinterestWhatsappMailOrhttps://www.archdaily.com/105101/eastern-market-row-house-renovation-david-jameson-architect Clipboard Eastern Market Row House Renovation / David Jameson Architect Area:  1150 ft² Photographs Save this picture!© Hoachlander-Davis Photography+ 18 Sharecenter_img United States Architects: David Jameson Architect Area Area of this architecture project “COPY” ShareFacebookTwitterPinterestWhatsappMailOrhttps://www.archdaily.com/105101/eastern-market-row-house-renovation-david-jameson-architect Clipboard Photographs:  Hoachlander-Davis PhotographyText description provided by the architects. Evoking the image of an illuminated Japanese lantern, a glass and steel volume is incised into the body of an existing row house. Conceptually a contrast of the light and heavy, acid etched panels are inserted into a self supporting steel frame that cantilevers out of the masonry mass. Save this picture!© Hoachlander-Davis PhotographyRecommended ProductsMetallicsKriskadecorMetal Fabric – Outdoor CladdingDoorsLibartVertical Retracting Doors – Panora ViewDoorsRabel Aluminium SystemsMinimal Sliding Door – Rabel 62 Slim Super ThermalEnclosures / Double Skin FacadesAlucoilStructural Honeycomb Panels – LarcoreThe entire steel frame not only serves as the structure for the glass skin, but also functions as an intelligent shelving solution for the interior. Tectonically, the frame lends itself to being a tangible presence felt inside the house, enveloping the kitchen and the second floor study spaces. Vertical partitions deliberately placed throughout the etched window wall allow for the occasional transparent glass to selectively frame views of the sky and trees towards the rear and side of the site.Save this picture!modelProject gallerySee allShow lessBlock 39: Centre for the Promotion of Science / RTA-OfficeArticlesFibre Composite Adaptive Systems / Architectural AssociationArticles Share Eastern Market Row House Renovation / David Jameson ArchitectSave this projectSaveEastern Market Row House Renovation / David Jameson Architect CopyAbout this officeDavid Jameson ArchitectOfficeFollowProductGlass#TagsProjectsBuilt ProjectsSelected ProjectsResidential ArchitectureHousesRefurbishmentRenovationDabasWashingtonRefurbishmentHouses3D ModelingUnited StatesPublished on January 21, 2011Cite: “Eastern Market Row House Renovation / David Jameson Architect” 21 Jan 2011. ArchDaily. Accessed 12 Jun 2021. ISSN 0719-8884Read commentsBrowse the CatalogMetal PanelsAurubisMill Finished Copper: Nordic StandardWindowsMitrexSolar WindowAluminium CompositesTechnowoodHow to Design a Façade with AluProfile Vertical ProfilesBulbs / SpotsCocowebLighting – Compact Gallery White TracklightConcreteKrytonCrystalline Waterproofing – KIMSealantsEffisusCrossing Perforations on RoofsWall / Ceiling LightsLouis PoulsenLamp – LP RiplsTiles / Mosaic / GresiteMargresPorcelain Tiles – Linea CosmosWood Boards / HPL PanelsInvestwoodValchromat Panels for Interior DesignWindowspanoramah!®ah! MotorisationHingesSaliceHinges – PactaDrawers / Filing Cabinets / ShelvesBeneStorage Partition – PORTS StorageMore products »Read commentsSave想阅读文章的中文版本吗?东方市场排屋改造 / David Jameson Architect是否翻译成中文现有为你所在地区特制的网站?想浏览ArchDaily中国吗?Take me there »✖You’ve started following your first account!Did you know?You’ll now receive updates based on what you follow! Personalize your stream and start following your favorite authors, offices and users.Go to my streamlast_img read more

Sausalito Hillside Remodel / Turnbull Griffin Haesloop Architects

first_imgShareFacebookTwitterPinterestWhatsappMailOrhttps://www.archdaily.com/548515/sausalito-hillside-remodel-turnbull-griffin-haesloop-architects Clipboard ILS Associates Inc. Landscape Architect: United States Sausalito Hillside Remodel / Turnbull Griffin Haesloop ArchitectsSave this projectSaveSausalito Hillside Remodel / Turnbull Griffin Haesloop Architects Houses 2013 CopyHouses, Renovation•Sausalito, United States Save this picture!© Mathew Millman+ 23 Share CopyAbout this officeTurnbull Griffin HaesloopOfficeFollowProductsWoodGlass#TagsProjectsBuilt ProjectsSelected ProjectsResidential ArchitectureHousesRefurbishmentRenovationSausalitoHousesRefurbishmentRenovationUnited StatesPublished on October 04, 2014Cite: “Sausalito Hillside Remodel / Turnbull Griffin Haesloop Architects” 04 Oct 2014. ArchDaily. Accessed 11 Jun 2021. ISSN 0719-8884Browse the CatalogPanels / Prefabricated AssembliesTechnowoodSiding Façade SystemPlasticsMitrexSolar SidingMetal PanelsAurubisCopper Alloy: Nordic BronzeArmchairsAndreu WorldGrand Raglan – Lounge ChairSinksBradley Corporation USASinks – Frequency® FL-SeriesPlantingSikaGreen RoofsStonesCosentinoSilestone Surfaces – Ethereal CollectionMetal PanelsLongboard®Aluminum Battens – Link & Lock – 8″Panels / Prefabricated AssembliesFranken-SchotterFacade Panels – Dietfurt LimestoneWindowsRabel Aluminium SystemsMinimal Casement Windows – Rabel 8400 Slim Super Thermal PlusWoodGustafsWood Cladding in St. Erik Eye HospitalLightsKKDCLighting – Groove FLEXMore products »Save世界上最受欢迎的建筑网站现已推出你的母语版本!想浏览ArchDaily中国吗?是否翻译成中文现有为你所在地区特制的网站?想浏览ArchDaily中国吗?Take me there »✖You’ve started following your first account!Did you know?You’ll now receive updates based on what you follow! Personalize your stream and start following your favorite authors, offices and users.Go to my stream Architects: Turnbull Griffin Haesloop Area Area of this architecture project Year:  ASID of Turnbull Griffin Haesloop, Margaret Turnbull Simon Year:  Scott Lewis Landscape Architect Red Horse Constructors Inc. 2013 Photographs Civil Engineer: Area:  3888 ft² Area:  3888 ft² Year Completion year of this architecture project Contractor, Exterior Landscape Construction:Jeff King Co.Structural Engineer:Fratessa Forbes WongGeotechnical Consultant:Miller Pacific Engineering GroupClient:WithheldDesign Team:Mary Griffin, Stephan Hastrup, John KlemanCity:SausalitoCountry:United StatesMore SpecsLess Specs ShareFacebookTwitterPinterestWhatsappMailOrhttps://www.archdaily.com/548515/sausalito-hillside-remodel-turnbull-griffin-haesloop-architects Clipboard ArchDaily photographs:  Mathew MillmanPhotographs:  Mathew Millman “COPY” “COPY” Projects Save this picture!© Mathew MillmanText description provided by the architects. Turnbull Griffin Haesloop transformed this two-unit 1940s ranch-style building into a serene, single-family retreat that captures sweeping views of San Francisco Bay. Perched on a steeply sloping hillside in Sausalito, the house is nearly invisible from the street.Save this picture!© Mathew MillmanRecommended ProductsDoorsLonghiDoor – HeadlineDoorsSaliceSliding Door System – Slider S20DoorsStudcoAccess Panels – AccessDorDoorsJansenDoors – Folding and SlidingWe replaced the original aggregation of roof shapes on the upper level with a simple, light-filled building volume. A cascading series of garden terraces creates an inviting entry sequence along the north side, allowing the original front-yard to be developed as a private garden.Save this picture!© Mathew MillmanInside, floor to ceiling windows and generous ceiling heights allow the living spaces to flow uninterrupted from the lush backdrop of the hillside garden, to the broad panorama of the bay. As a result, the soaring view is grounded by a strong connection to the land.Save this picture!sectionProject gallerySee allShow lessWinning Proposals Transform Power Plants into Public ArtArchitecture NewsLondon Mayor Rules in Favour of Controversial Mount Pleasant SchemeArchitecture News Share General Contractor: Sausalito Hillside Remodel / Turnbull Griffin Haesloop Architects Interior Design: last_img read more

Moonlight Cabin / Jackson Clements Burrows

first_img 2015 ShareFacebookTwitterPinterestWhatsappMailOrhttps://www.archdaily.com/773126/moonlight-cabin-jackson-clements-burrows Clipboard ShareFacebookTwitterPinterestWhatsappMailOrhttps://www.archdaily.com/773126/moonlight-cabin-jackson-clements-burrows Clipboard ArchDaily Australia Spence Construction, Colac and Geelong Save this picture!© Jeremy Weihrauch-Gollings Studio+ 12 Share Architects: Jackson Clements Burrows Area Area of this architecture project Area:  60 m² Year Completion year of this architecture project CopyHouses•Australia Moonlight Cabin / Jackson Clements BurrowsSave this projectSaveMoonlight Cabin / Jackson Clements Burrows “COPY” CopyAbout this officeJackson Clements BurrowsOfficeFollowProductWood#TagsProjectsBuilt ProjectsSelected ProjectsResidential ArchitectureHousesAustraliaPublished on September 07, 2015Cite: “Moonlight Cabin / Jackson Clements Burrows” 06 Sep 2015. ArchDaily. Accessed 11 Jun 2021. ISSN 0719-8884Browse the CatalogSinkshansgroheBathroom Mixers – MetrisVinyl Walls3MVinyl Finish – DI-NOC™ Cross HairlinePartitionsSkyfoldVertically Folding Operable Walls – Mirage®SinksThe Splash LabTrough Sink – Monolith A SeriesSkylightsVELUX CommercialModular Skylights in Helmkehof Cultural CenterBathroom AccessoriesBradley Corporation USAWashroom AccessoriesConcrete FloorsSikaDecorative Floor CoatingsMetal PanelsSherwin-Williams Coil CoatingsFluropon® Coating in Thaden SchoolWood Boards / HPL PanelsInvestwoodViroc Nature for Partition WallsMineral / Organic PaintsKEIMMineral Wood Stain – Lignosil®-VeranoDoorsdormakabaEntrance Doors – MAGNEOSinksECOPIXELWashbasin – Light Basin LTBMore products »Save想阅读文章的中文版本吗?月光小屋 / Jackson Clements Burrows是否翻译成中文现有为你所在地区特制的网站?想浏览ArchDaily中国吗?Take me there »✖You’ve started following your first account!Did you know?You’ll now receive updates based on what you follow! Personalize your stream and start following your favorite authors, offices and users.Go to my stream Photographscenter_img Builder: Moonlight Cabin / Jackson Clements Burrows P.J. Yttrup & Associates Products translation missing: en-US.post.svg.material_description Manufacturers: Focus Projects Year:  “COPY” Products used in this ProjectHeatingFocusFireplaces – BathyscafocusProject Team:Tim Jackson, Jon Clements, Graham Burrows, Jessie LeggeBuilding Surveyor:Noel GoslingCountry:AustraliaMore SpecsLess SpecsSave this picture!© Jeremy Weihrauch-Gollings StudioText description provided by the architects. Located on a windswept coast line, Moonlight Cabin is a place to retreat from and engage with the landscape’s ephemeral conditions. It is a small footprint shelter (60m2) that explores the boundaries of how small is too small, challenging conventional notions of what is actually necessary in our lives. It is designed to be passively environmentally responsive, ultimately reducing energy use and running costs whilst maximising occupant amenity.Save this picture!© Jeremy Weihrauch-Gollings StudioThe plan is conceived as one volume with kitchen, bathroom and utilities inserted within a central island pod which effectively unlocks the corridor to become an important habitable space. Victorian Ash timber linings coated with Porters Wood Wash ‘Limed’ create a tranquil contemporary interior that is generous while the reductive material palette creates a sustainable and cost effective home.Save this picture!© Jeremy Weihrauch-Gollings StudioSave this picture!Floor PlanSave this picture!© Jeremy Weihrauch-Gollings StudioThe built form is fully screened in a rainscreen of Spotted Gum that acts like a ‘gore-tex jacket’ to protect the cabin from the elements while the timber is free to move naturally in the changing climatic conditions. Operable shutters enable cross ventilation and adaptability, open or closed, partially shut down or secured when the occupants leave and reopened when they return.Moonlight Cabin is grid connected and rainwater is sustainably harvested.Save this picture!© Jeremy Weihrauch-Gollings StudioProject gallerySee allShow lessTAKENO Nursery / Tadashi Suga ArchitectsSelected ProjectsNewSchool Architectural SymposiumEvent Share Houses Photographs:  Jeremy Weihrauch-Gollings Studio Manufacturers Brands with products used in this architecture project Structural: last_img read more

Wabi House / Tadao Ando Architect and Associates

first_imgArchDaily Wabi House / Tadao Ando Architect and Associates Save this picture!© Edmund Sumner+ 43 Share ShareFacebookTwitterPinterestWhatsappMailOrhttps://www.archdaily.com/788480/wabi-house-tadao-ando-architect-and-associates Clipboard Projects Wabi House / Tadao Ando Architect and AssociatesSave this projectSaveWabi House / Tadao Ando Architect and Associates Photographs:  Edmund SumnerInteriors:DECADA / Lucia CorredorConstruction:Silvestre Vega, Hermelindo Dominguez, Jose RamirezAdvisors:Juan Sodi, Salvador Diaz de Leon, Victor RaygozaStructural Design:IESSA / Javier Ribe, Alfredo AdameIronworks:Enedino BarraganBuilding Services:Miguel Angel Dorantes, Sergio Vega, Antonio EsparzaPalapas:Alejandro SanjinesFraming:Javier Gomez, Ruben Dario, Josue VazquezLocal Architect:J. Alfonso Quiñones, Joaquin CastilloTaaa Team:Alex IidaBaaq Team:Luis Muñoz, Daniel Barragan, Guillermo Mauricio, David Serrano, Angeles Rubio, Alfredo Nader, Alejandro Nuñez, Emiliano Aivar, Inca Hernandez, Isabel Bezies, Alfonso SodiSite Area:250000 sqmCity:Puerto EscondidoCountry:MexicoMore SpecsLess SpecsSave this picture!© Edmund SumnerRecommended ProductsEnclosures / Double Skin FacadesAlucoilStructural Honeycomb Panels – LarcoreWoodAccoyaAccoya® CanalsDoorsLonghiDoor – HeadlineWoodHESS TIMBERTimber – GLT HybridText description provided by the architects. Wabi House is a project by architect Tadao Ando, where BAAQ’ collaborated as associate architect on the development of the executive project and construction coordination.Save this picture!© Edmund SumnerSave this picture!PlanSave this picture!© Edmund SumnerIt is located on the coast of Oaxaca 30 minutes from the city of Puerto Escondido on a site of 25 hectares.Save this picture!© Edmund SumnerWabi House is a foundation created by the artist Bosco Sodi which aims to promote the exchange of ideas between artists of various disciplines and local communities.Save this picture!SectionSave this picture!© Edmund SumnerAll spaces in Wabi House have been designed to accentuate the landscape of the area. Facilities include six private bedrooms, two shared studies, a multipurpose room, a screening room, an exhibition gallery, a sculpture garden and multiple recreational areas.Save this picture!© Edmund Sumner”Wabi” is derived from the Japanese wabi sabi, a concept designating an aesthetic ideal or way of life that finds beauty in imperfection, impermanence, accident and depth of nature.Save this picture!DiagramSave this picture!© Edmund SumnerSave this picture!© Edmund SumnerThe entire project was built in exposed concrete under architect Tadao Ando’s quality guidelines and traditional palapas from the coast.Save this picture!© Edmund SumnerProject gallerySee allShow lessDenver Botanic Gardens’ Science Pyramid / BURKETTDESIGNSelected ProjectsSOM + Entasis Unveil New Views of Karlatornet in GothenburgUnbuilt Project Share ShareFacebookTwitterPinterestWhatsappMailOrhttps://www.archdaily.com/788480/wabi-house-tadao-ando-architect-and-associates Clipboard CopyHouses•Puerto Escondido, Mexico “COPY” CopyAbout this officeTadao Ando Architect and AssociatesOfficeFollowProductConcrete#TagsProjectsBuilt ProjectsSelected ProjectsResidential ArchitectureHousesPuerto EscondidoMexicoPublished on May 30, 2016Cite: “Wabi House / Tadao Ando Architect and Associates” [Casa Wabi / Tadao Ando Architect and Associates] 30 May 2016. ArchDaily. Accessed 11 Jun 2021. ISSN 0719-8884Read commentsBrowse the CatalogPartitionsSkyfoldChoosing the Skyfold Wall for Your SpaceGlass3MSun Control Film – Prestige ExteriorShowerhansgroheShowers – Croma SelectWall / Ceiling LightsSpectrum LightingLED Downlight – Infinium 3″ Round FlangelessVentilated / Double Skin FacadeCosentinoDekton Cladding in LD Sevilla hotelSealantsSikaJoint SealingBeams / PillarsLunawoodThermowood Frames and BearersPorcelain StonewareApariciPorcelain Tiles – MarblesCeramicsTerrealTerracotta Facade in Manchester HospitalWindowspanoramah!®ah! CornerHome AppliancesGIRAGira Keyless in – Door communicationLightsLinea Light GroupIntegrated Lighting – Fylo+More products »Read commentsSave想阅读文章的中文版本吗?Wabi 墨西哥工坊 / 安藤忠雄建筑事务所是否翻译成中文现有为你所在地区特制的网站?想浏览ArchDaily中国吗?Take me there »✖You’ve started following your first account!Did you know?You’ll now receive updates based on what you follow! Personalize your stream and start following your favorite authors, offices and users.Go to my stream Houses Architects: Tadao Ando Architect and Associates Photographs “COPY” Mexicolast_img read more

Energy Living / M+ Group

first_imgSave this picture!© Vásquez Villegas+ 31 Share Colombia “COPY” CopyAbout this officeM+ GroupOfficeFollowProductsSteelConcrete#TagsProjectsBuilt ProjectsSelected ProjectsResidential ArchitectureHousingApartmentsMedellínColombiaPublished on August 29, 2016Cite: “Energy Living / M+ Group” [Energy Living / M+ Group] 29 Aug 2016. ArchDaily. Accessed 11 Jun 2021. ISSN 0719-8884Read commentsBrowse the CatalogPanels / Prefabricated AssembliesTechnowoodPanel Façade SystemRailing / BalustradesMitrexIntegrated Photovoltaic Railing – BIPV RailingMetal PanelsAurubisPatinated Copper: Nordic Green/Blue/Turquoise/SpecialPlastics / FibersRodecaTranslucent Building Elements in Downton Primary SchoolSkylightsVELUX CommercialModular Skylights – LonglightBathroom FurnitureBradley Corporation USAToilet Partition CubiclesSignage / Display SystemsGoppionDisplay Case – One-offAcousticFabriTRAK®FabriFELT™ for Walls and CeilingsBoardsStructureCraftStructural Panel – Dowel Laminated TimberThermalSchöckInsulation – Isokorb® Concrete to SteelDoorsJansenSmoke Control Door – Economy 60Louvers / ShuttersShade FactorExternal Venetian BlindsMore products »Read commentsSave想阅读文章的中文版本吗?能量居住 / M+ Group是否翻译成中文现有为你所在地区特制的网站?想浏览ArchDaily中国吗?Take me there »✖You’ve started following your first account!Did you know?You’ll now receive updates based on what you follow! Personalize your stream and start following your favorite authors, offices and users.Go to my stream Apartments Energy Living / M+ GroupSave this projectSaveEnergy Living / M+ Group Projects Area:  12114 m² Manufacturers Brands with products used in this architecture project CopyApartments•Medellín, Colombiacenter_img Architects: M+ Group Area Area of this architecture project Energy Living / M+ Group ArchDaily ShareFacebookTwitterPinterestWhatsappMailOrhttps://www.archdaily.com/794085/energy-living-m-plus-group Clipboard Manufacturers: FirplakCalculation Engineer:Diego CastroElectric Design:IncoelecHydraulic Design:Hidráulicas y saneamientoPromotor:M+Group S.A.SConstruction Company:Javier Londoño S.A.Author Architects:Andrés Felipe Mesa Trujillo, Kevin García AlvisCollaborator:Luna BarrientosCity:MedellínCountry:ColombiaMore SpecsLess SpecsSave this picture!Cortesía de Martín Baena OchoaText description provided by the architects. This building located on southeast side of Medellin, materializes through the addition of rectangular prisms which are grouped in different heights to find the best direction to different places in the city. The program provides housing solutions for single people or couples, with 71 apartments between 53 and 130 sqm of area, with modular and flexible designs spaces that allow different inhabit typologies. Save this picture!DiagramThe project opens its perimeter through terraces, balconies and windows overlooking intentionally targeted sites. The arrangement of these prisms generates various scenarios: Views to the south and north of the valley, the river, the nearby mountains, to the far western hills, to the metropolis of concrete and brick. At altitude the building is composed of a game of full and empty and various typologies of apartments that emphasize individuality over repetition.Save this picture!© Vásquez VillegasThe architectural plan is a square of 21 x 21 m, the vertical circulations and technical areas are located in the center of the building to occupy the perimeter with the apartment units. The base is a volume that emerges from the prisms and defines the facade facing toward the entrance lane, creating a transition between urban and private. Save this picture!Cortesía de Cámara LucidaSave this picture!PlanSave this picture!Cortesía de Martín Baena OchoaAt the lobby, there is a restaurant, administrative areas and lounges. Social areas of the building are located on the last floor where the gym and wet areas are located overlooking the city.Save this picture!© Vásquez VillegasSave this picture!© Vásquez Villegas1. Rectangular volume, which is divided by the number of floors permitted by regulation.2. Group of levels to generate a rhythm in the facade, two or more levels are integrated, leaving simple levels in between.3. The simple levels are pulled back with the intention of forming separate volumes. 4. In order to guide the views to different parts of the city and the mountains surrounding the valley two facades are open to the outside. 5. The openings are oriented to the north – south direction  and east -west direction. 6. To emphasize the geometry, some boxes are moved inwards and outwards.Save this picture!© Vásquez VillegasProject gallerySee allShow lessBrasília by Rem KoolhaasArticlesThe 20 Most Inspirational Non-Architecture TED Talks for ArchitectsVideosProject locationAddress:El Poblado, Medellín, Medellin, Antioquia, ColombiaLocation to be used only as a reference. It could indicate city/country but not exact address. Share “COPY” ShareFacebookTwitterPinterestWhatsappMailOrhttps://www.archdaily.com/794085/energy-living-m-plus-group Clipboardlast_img read more

Casa de Madera / Estudio Borrachia

first_imgArchDaily Projects Casa de Madera / Estudio BorrachiaSave this projectSaveCasa de Madera / Estudio Borrachia Photographs:  Fernando SchapochnikAuthor Architectes:Alejandro H. Borrachia, Oscar A. BorrachiaCollaborator:Matias CarloniCity:Exaltación de la CruzCountry:ArgentinaMore SpecsLess SpecsSave this picture!© Fernando Schapochnik“Casa de Madera” its a weekend residence, designed for a 4 member family; a young marriage with 2 children.Save this picture!© Fernando SchapochnikIt takes place in ground floor and has the peculiarity of being built entirely of wood. In the roof level a green cover its develop; where wild plants grow almost without maintenance, getting a new natural space merged with the foliage and tree tops.Save this picture!© Fernando SchapochnikSave this picture!Floor PlanSave this picture!© Fernando SchapochnikThe wood house is part of a series of cases of housing developed by the office that we call “housing habitat”, by the logic which means its relationship with the environment and all that this brings.Save this picture!© Fernando SchapochnikEach design decision taken in this regard have to do with the maximum efficiency achieved in spaces and exacerbation of outdoor life and contact with nature.Save this picture!DiagramThe separation of home soil, seeking guidance, views and cross ventilation, green roof and shady areas surrounding the house, are based on decisions that facilitate this contact, and finally the maximum energy cost savings and possible resources.Save this picture!© Fernando SchapochnikSave this picture!© Fernando SchapochnikConceived in a modular way and in line with the technological possibilities that wood construction permits, this work built within five months, allowed to keep their immediate environment natural state without altering the ecosystem. Even if required could be removed in a matter of days and the environment remain intact.Save this picture!© Fernando SchapochnikWe understand the wood used as structure, cladding, division and deck, playing the lead role in the material logic of this house and at the same time as a search engine about new constructive alternatives, based on systems indigenously, materials easy manufacturing and handling, existing throughout the territory of our country and adaptable to different geographical and climatic conditions This house offers not only the response to timely and specific problem of your design and construction but also for studying the verification of a series of investigations that are carrying out for some years on the implementation of systems prefabricated dry low cost, quick realization.Save this picture!© Fernando SchapochnikProject gallerySee allShow lessUNStudio Designs Final Piece of New Urban Campus in Amsterdam City CenterArchitecture NewsStudio Gang, Shigeru Ban Among 5 Shortlisted for Arkansas Arts Center ExpansionArchitecture News Share Argentina Architects: Estudio Borrachia Area Area of this architecture project ShareFacebookTwitterPinterestWhatsappMailOrhttps://www.archdaily.com/796659/casa-de-madera-estudio-borrachia Clipboard “COPY” CopyHouses•Exaltación de la Cruz, Argentina CopyAbout this officeEstudio BorrachiaOfficeFollowProductWood#TagsProjectsBuilt ProjectsSelected ProjectsResidential ArchitectureHousesExaltación de la CruzArgentinaPublished on October 04, 2016Cite: “Casa de Madera / Estudio Borrachia” 04 Oct 2016. ArchDaily. Accessed 11 Jun 2021. ISSN 0719-8884Read commentsBrowse the CatalogShowershansgroheShower MixersEducational3MProjection Screen Whiteboard FilmPartitionsSkyfoldWhere to Increase Flexibility in SchoolsLinoleum / Vinyl / Epoxy / UrethaneTerrazzo & MarbleTerrazzo in The Gateway ArchSkylightsLAMILUXGlass Skylight FE PassivhausConcreteKrytonSmart ConcreteMetallicsTrimoMetal Panels for Roofs – Trimoterm SNVWire MeshGKD Metal FabricsMetal Fabric in Kansas City University BuildingGlassDip-TechDigital Ceramic Curved Glass PrintingMetallicsRHEINZINKZinc Roof Systems – Double Lock Standing SeamChairs / StoolsFreifrauBarstool – OnaSealants / ProtectorsWoodenha IndustriesFireproofing System for Wood Cladding – BIME®More products »Read commentsSave想阅读文章的中文版本吗?木屋 / Estudio Borrachia是否翻译成中文现有为你所在地区特制的网站?想浏览ArchDaily中国吗?Take me there »✖You’ve started following your first account!Did you know?You’ll now receive updates based on what you follow! Personalize your stream and start following your favorite authors, offices and users.Go to my stream Year:  Area:  174 m² Year Completion year of this architecture project Save this picture!© Fernando Schapochnik+ 54 Share Casa de Madera / Estudio Borrachia Photographs 2016 ShareFacebookTwitterPinterestWhatsappMailOrhttps://www.archdaily.com/796659/casa-de-madera-estudio-borrachia Clipboard Houses “COPY”last_img read more

Corner House / Boundaries architects

first_img Corner House / Boundaries architects Year:  Houses CopyAbout this officeBoundaries architectsOfficeFollowKang TaewoongOfficeFollowProductsWoodConcrete#TagsProjectsBuilt ProjectsSelected ProjectsResidential ArchitectureHousesOfficesSeoulSouth KoreaPublished on November 12, 2016Cite: “Corner House / Boundaries architects ” 12 Nov 2016. ArchDaily. Accessed 11 Jun 2021. ISSN 0719-8884Browse the CatalogPanels / Prefabricated AssembliesTechnowoodGRP Siding Façade SystemPlasticsMitrexSolar SidingMetal PanelsAurubisCopper Alloy: Nordic RoyalSystems / Prefabricated PanelsKalwall®Translucent WalkwaysPanels / Prefabricated AssembliesIsland Exterior FabricatorsSpecialty Facade SystemsLightsLouis PoulsenLamps – LP Slim BoxWoodBruagAcoustic Panels with LEDTiles / Mosaic / GresiteHisbalitMosaic Tiles – Palm SpringsMineral / Organic PaintsKEIMBlack Concrete – Concretal®-BlackSuspension SystemsMetawellAluminum Panels for Smart CeilingsDoorsGorter HatchesFloor Door – Fire RatedBricksDEPPEWaterstruck Bricks – 1622/1635ekws DFMore products »Save世界上最受欢迎的建筑网站现已推出你的母语版本!想浏览ArchDaily中国吗?是否翻译成中文现有为你所在地区特制的网站?想浏览ArchDaily中国吗?Take me there »✖You’ve started following your first account!Did you know?You’ll now receive updates based on what you follow! Personalize your stream and start following your favorite authors, offices and users.Go to my stream Manufacturers: INOUTIC, Rear ZincCollaborators:Shim Hyunsun, Lee SeonyeongConsultants:JarchivCity:SeoulCountry:South KoreaMore SpecsLess SpecsSave this picture!© hwang hyo chelText description provided by the architects. Site Corner House is located in Bangbae-dong of Seoul, South Korea, in a residential area whose old, single family residences are quickly being replaced by five-storey multi-family housing types. The site is pentagonal, adjacent to 6m and 4m roads to its south and east, and there is also a 1m level difference within the site. Save this picture!First Floor PlanProgramThe programmatic requirements were as follows: an exhibition space on the ground floor (for the owner’s company merchandise), an office space on the second floor, two residential units for relatives and another unit for lease on the third floor, and the owner’s residence on the fourth and fifth floors. The spaces also had to be flexible, to adjust to any possible changes in the future. Save this picture!© hwang hyo chelCorner HouseThe main living areas had been positioned to the south and east sides of the building – where the conditions are more favorable – all with minimal-sized balconies to the outside. The site’s 1m level difference had been resolved through the use of skipped floors, arranged so that the levels may be connected in the future if needed. Save this picture!DiagramThe elevator, bathrooms, and the main stairs had been organized close to one another, to form a central core to the north of the site.  For the main stairs to reach the fourth floor, the stairs’ axis change as it goes up so that it stays within the required diagonal plane (for the neighboring sites’ daylighting requirements).Save this picture!© hwang hyo chelThe fourth and fifth floors, which become long and narrow as they go up, had been designed carefully with various ceiling heights and skylights so the spaces are less claustrophobic. As inclined street setback plane regulations became obsolete recently, we took advantage of the change by securing as much floor-to-floor heights as possible, as well as an attic for more additional space.Save this picture!© hwang hyo chelHouse of StairsThere are two staircases in the Corner House: the main stairs from the ground floor to the fourth floor, and the internal, private stairs from the fourth floor unit to the rooftop. Save this picture!© hwang hyo chelUnlike how rigid the building may appear from the outside, the main stairs inside become a playful element, changing as its axis shifts while going up. Rotating around a tall, central void which allows natural light to penetrate to below, the stairs become a part of the residents’ daily experience.Save this picture!© hwang hyo chelBoth of the stairs are positioned centrally respective to their spaces with skylights above them, allowing daylight to follow down the steps and into the living areas. Project gallerySee allShow lessPetite Pomme / Erbalunga estudioSelected ProjectsWindward HQ / Roy David StudioSelected Projects Share Projects ShareFacebookTwitterPinterestWhatsappMailOrhttps://www.archdaily.com/798063/corner-house-boundaries-architects Clipboard “COPY” ShareFacebookTwitterPinterestWhatsappMailOrhttps://www.archdaily.com/798063/corner-house-boundaries-architects Clipboard Architects: Boundaries architects, Kang Taewoong Area Area of this architecture project Save this picture!© hwang hyo chel+ 29 Sharecenter_img Area:  401 m² Year Completion year of this architecture project ArchDaily 2016 Photographs:  hwang hyo chel Manufacturers Brands with products used in this architecture project “COPY” Corner House / Boundaries architectsSave this projectSaveCorner House / Boundaries architects South Korea Photographs CopyHouses, Offices•Seoul, South Korealast_img read more

Energy Efficient Bamboo House / Studio Cardenas Conscious Design

first_imgSave this picture!© LIB – Longquan International Bamboo Commune+ 33 Share ArchDaily Energy Efficient Bamboo House / Studio Cardenas Conscious Design Area:  320 m² Year Completion year of this architecture project “COPY” ShareFacebookTwitterPinterestWhatsappMailOrhttps://www.archdaily.com/868926/energy-efficient-bamboo-house-studio-cardenas-conscious-design Clipboard “COPY” CopyHouses•Lishui, China China ShareFacebookTwitterPinterestWhatsappMailOrhttps://www.archdaily.com/868926/energy-efficient-bamboo-house-studio-cardenas-conscious-design Clipboardcenter_img Projects CopyAbout this officeStudio Cardenas Conscious DesignOfficeFollowProductWood#TagsProjectsBuilt ProjectsSelected ProjectsResidential ArchitectureHousesLishuiChinaPublished on April 13, 2017Cite: “Energy Efficient Bamboo House / Studio Cardenas Conscious Design” [Energy Efficient Bamboo House / Studio Cardenas Conscious Design] 13 Apr 2017. ArchDaily. Accessed 11 Jun 2021. ISSN 0719-8884Browse the CatalogSinkshansgroheBathroom Mixers – Metropol ClassicVinyl Walls3MVinyl Finish – DI-NOC™ Abrasion ResistantPartitionsSkyfoldChoosing the Skyfold Wall for Your SpaceCarpetsB&B ItaliaCarpet – TwistBeams / PillarsLunawoodThermowood Frames and BearersMembranesEffisusHow to use Fire Protection MembranesSoftware / CoursesSculptformSpecification Tool – Price and Spec AppFittingsHOPPEFloor Spring – AR2950DoorsLinvisibileLinvisibile FILO 10 Vertical Pivot Door | BrezzaWood Boards / HPL PanelsInvestwoodViroc Nature for False Ceilings and FlooringFiber Cements / CementsDuctal®Textured PanelAcousticConwedAcoustic Panels – Eurospan®More products »Save想阅读文章的中文版本吗?节能竹屋 / Studio Cardenas Conscious Design是否翻译成中文现有为你所在地区特制的网站?想浏览ArchDaily中国吗?Take me there »✖You’ve started following your first account!Did you know?You’ll now receive updates based on what you follow! Personalize your stream and start following your favorite authors, offices and users.Go to my stream 2016 Houses Local Regulations, Mock Ups, Construction Supervision:Kangye Architecture and Interior Design Institute, ShanghaiFeng Shui Consultant:Vincent FangMain Contractor:Kangye Construction & Decoration Co., Ltd. ShanghaiArchitect In Charge:Mauricio Cardenas LaverdeCity:LishuiCountry:ChinaMore SpecsLess SpecsSave this picture!© LIB – Longquan International Bamboo CommuneRecommended ProductsEnclosures / Double Skin FacadesAlucoilStructural Honeycomb Panels – LarcoreWoodTechnowoodPergola SystemsWoodStructureCraftEngineering – Architectural & FreeformWoodGustafsWood Veneered Wall & Ceiling PanelsText description provided by the architects. The project deals with the opportunity to design an Energy Efficient Experimental House in Baoxi for LIB (Longquan International Bamboo Commune), in the context of the new policies for sustainable growth of China.Save this picture!DiagramOur proposal explores the potentiality of minimize carbon emissions, protection and natural ecological development through the use of the natural elements available in the area, such as sun, water, plants, wind and natural materials to achieve a high standard innovative house for the Chinese context.Save this picture!© LIB – Longquan International Bamboo CommuneThe topics that we considered for the design of the House are the following:Bamboo, is a very special natural element present in Baoxi area which we use as structural element for the house as well as for the interiors;Save this picture!First Floor PlanGround water cooling, underground water is an interesting natural resource available on site. Use underground water in a very simple manner to create a cooling system and also use for toilets wherenon-drinking water is acceptable;Save this picture!© LIB – Longquan International Bamboo CommuneFeng shui, to learn and apply the most significant concepts of this antique Chinese tradition to the house design;Save this picture!SectionModularity and Industrialization, to create modular elements with the scope of creating an innovative industrialized bamboo construction system.Save this picture!© LIB – Longquan International Bamboo CommuneFor the structure of the House we explored new ways of building using bamboo as a construction material. Sustainability for us is not only the use of natural materials such as bamboo but to design appropriate construction solutions:Save this picture!© LIB – Longquan International Bamboo CommuneDesigning dry-mounted connections not to weaken bamboo through perforation nor fill it in with concrete, and also to allow the replacement of bamboo poles if needed;Save this picture!DiagramDesigning aluminum connections light and easy to assemble in order that the construction can be done  by local workers;Using same length of bamboo poles to achieve standardization and best quality control;Save this picture!© LIB – Longquan International Bamboo CommuneUse the same length of bamboo culms to achieve standardization and better quality control;.Combining bamboo (vegetable steel) and steel to create an industrialized construction system;Save this picture!Diagram- the application of a precise geometry (golden ratio) to achieve the standardization of the pieces, the best quality control and a harmonious aesthetic impact.Save this picture!ElevationUsing the underground water is for the house the most interesting and sustainable solution, using a geothermal heat pump, which cools as well as heats the house. It’s incredibly efficient compared with the usual cooling and heating systems — at least 25% more efficient, and often much more. By digging into the earth the temperature is stable no matter what the season, no matter what the temperature above ground. By taking advantage of this more constant, even temperature, we can heat or cool the house. It is estimated that these systems use 15% less of the amount of energy a traditional chiller plant would use.All pieces of the house will be modular as much as possible envisioning an industrialized production.Save this picture!© LIB – Longquan International Bamboo CommuneProject gallerySee allShow lessCall for Entries: Hong Kong Young Architects & Designers CompetitionBuilt Projects & MasterplansHouse in House / Steffen Welsch ArchitectsSelected Projects Share Architects: Studio Cardenas Conscious Design Area Area of this architecture project Year:  Energy Efficient Bamboo House / Studio Cardenas Conscious DesignSave this projectSaveEnergy Efficient Bamboo House / Studio Cardenas Conscious Designlast_img read more

AD Classics: Red House / William Morris and Philip Webb

first_imgCopyIn the heart of a suburb just east of London stands an incongruous red brick villa. With its pointed arched window frames and towering chimneys, the house was designed to appear  like a relic of the Middle Ages. In reality, its vintage dates to the 1860’s. This is Red House, the Arts and Crafts home of artist William Morris and his family. Built as a rebuttal to an increasingly industrialized age, Red House’s message has been both diminished by the passage of time and, over the course of the centuries, been cast in greater relief against its context.+ 14Save this picture!Although relatively austere, the varying rooflines, oriel window, and pointed arch window frames add Gothic flair to the otherwise simplistic Red House. ImageCourtesy of Flickr user Gabrielle Ludlow (licensed under CC BY-NC-ND 2.0)Recommended ProductsRenders / 3D AnimationAUGmentectureAugmented Reality Platform – AUGmentecture™Renders / 3D AnimationVectorworksVectorworks ArchitectRenders / 3D AnimationEnscape3D Real-Time Rendering SoftwarePorcelain StonewareGrespaniaWood-Look Porcelain tiles – FustaMorris was one of a formal group of people in the mid-19th Century who grew increasingly concerned about the far-reaching effects of the Industrial Revolution. While the mass-production of household objects made them affordable, critics in the vein of John Ruskin felt that modern manufacturing processes deprived workers of the satisfaction of handcrafting, and that consumers were surrounding themselves with soulless products. This impression aligned poorly with the contemporary notion that the home should serve as a spiritual and moral respite from the chaos of the cities, a philosophy termed the “Cult of Domesticity.” The perceived solution was a revival of the medieval “Guild” mode of production, in which craftsmen were directly involved in the entire manufacturing process.[1]Save this picture!Courtesy of Flickr user KotomiCreations (licensed under CC BY-NC 2.0)During his tenure in the Oxford office of architect George Edmund Street, Morris formed what would turn out to be a long-lived friendship with his co-worker Philip Speakman Webb. Even when Morris left the firm—and architectural practice altogether—after only a year to become a painter, the two remained close enough that they, along with their friend Charles Faulkner, took a joint trip along the Seine in France over the course of 1858. During this voyage, Morris discussed his plans to build a house for himself and his wife Jane with Webb. He also became determined to start his own fellowship of artists and craftsmen, and shortly realized that his new home could be the test of their combined abilities.[2]Upon their return to England, Morris and Webb selected a site in the hamlet of Upton, near Bexleyheath in Kent. It was, at the time, a largely picturesque and undeveloped area, dotted with cottages, medieval ruins, and a nearby Tudor mansion (Hall Place). Nestled between orchards and market gardens, the new house was to stand on an acre of land which, at the price of £4000 (roughly £307,026 [$395,962 USD] by today’s standards), cost Morris five times his annual income at the time. With its somewhat modest proportions, his new home was not to resemble an English country estate, but rather a villa that presaged the suburban developments to come in the following decades.[3]Save this picture!The centerpiece of Red House’s garden is a well topped with a steep conical roof. ImageCourtesy of Flickr user Gabrielle Ludlow (licensed under CC BY-NC-ND 2.0)The aesthetic styling of the house is a clear indicator of its designers’ fixation on the medieval ideal: its steeply-pitched roofs, prominent chimneys, and cross gables mark the building as an example of simplified Tudor Gothic design. The L-shape of the house’s footprint allows it to partially wrap around a garden, simultaneously creating an asymmetry typical of medieval structures built and renovated incrementally over time. The Gothic style was a favorite of Arts and Crafts practitioners; to them, it hearkened back to an age of greater craftsmanship and human dignity. Having originated in Western Europe, it was also seen as more appropriate for an English site than the Greco-Roman influences of Classicist architecture.[4]Whereas most fashionable villas of the period were finished in stucco, Morris’ new home was built of exposed brick that inspired its name “Red House.” A tower stands at the vertex of the L, containing the staircase; branching out from this vertex are the two wings of the house. The front wing contains the principal rooms, including the dining room, reception rooms, drawing room, main bedroom, studio, and a garden porch. The rear wing contains the more private elements, such as the lesser bedrooms, servant quarters and lavatory, scullery, kitchens, larders, and back stairs. The garden is sheltered in the southeastern lee of the building, while the main entrance is to the north, facing the street.The bold representation of the house’s structural materials, along with its practical and straightforward layout, hint at an unexpectedly Functionalist approach cloaked in historicist trappings.[5,6]Save this picture!The painted front door is undeniably medieval in character; the stained glass window panes are not original. ImageCourtesy of Flickr user KotomiCreations (licensed under CC BY-NC 2.0)Through a somewhat low and unceremonious front porch, visitors pass into the austere entrance hall. The space is largely devoid of extraneous ornament, paved in simple red flagstone and framed with exposed timbers, setting a decorative precedent followed by the rest of the house. The lack of frenetic ornamentation does not mean that there is no attention to aesthetics, however; rather than gird the structure with decorations, Webb used the structure itself to create visual interest. Throughout the interior spaces, exposed brick arches and timber framing, frequently laid out asymmetrically, serve as an indoor continuation of the house’s external appearance. Brick fireplaces formed the visual centerpieces of the principal rooms, complete with ironwork grates which have since been removed.[7]While the architecture of the house was Webb’s domain, the creation of its furnishings fell to Morris, his wife Jane, and painter Edward Burne-Jones. Their collaborative works throughout the house were as much a celebration of medieval craftsmanship as the building which contained them: everything from the wallpapers to the built-in furniture bore their creative touch. A settle in the entrance hall is adorned with Morris’ painted realization of a scene from the Niebelungenlied, while a Gothic hutch designed by Webb stands in the dining room. Stained glass windows around the house were designed by Morris’ family and friends. On the second floor, the living room fireplace is painted with Morris’ Latin motto, Ars Longa, Vita Brevis: “Life is short, art is forever.”[8]Save this picture!Morris’ hand-painted settle in the entry hall features a depiction of a scene from the German epic the Niebelungenlied. ImageCourtesy of Flickr user KotomiCreations (licensed under CC BY-NC 2.0)Although Red House is a stylistic masterpiece, certain of its features reveal the relative inexperience of its designers. The orientation of the house means that the principal rooms all face north, leaving them uncomfortably cold even in summer. The fireplaces in each were not only too small to compensate, but smoked so badly that the chimneys had to be heightened in 1861. Meanwhile, the kitchen was positioned to take in the afternoon sun, heating up just as house staff were preparing for afternoon tea and dinner. The larders, being located adjacent to the kitchen, were likewise prone to overheating – a serious flaw in a space designated for food storage. The cellar, which only occupied the space under the stairs instead of the majority of the house as was customary, was insufficient to compensate. These flaws, although having failed to diminish Red House’s status in the architectural canon, rankled Philip Webb later in life to the point that he declared his desire never to see the building again and that no architect under forty ought to design a house.[9]Financial difficulties forced Morris to sell Red House in 1865, only five years after his family had moved in. Over the next fourteen decades, the house remained a private residence; it was only in 2003 that the property was acquired by the UK’s National Trust, ensuring its preservation and opening the house to the public as a museum. With the exception of some missing furniture and new wallpapers developed by Morris after he moved away, Red House remains much as it did in 1865, providing contemporary visitors with a glimpse of the original owner’s vision for an ideal life.[10] Now surrounded by a dense suburban development, Red House stands out as a work of dedicated craftsmanship, its Gothic aesthetic silently protesting the realities of an industrialized world.Save this picture!This stained glass window, depicting Love and Hate, was one of many designed by friends and family of William Morris throughout Red House. ImageCourtesy of Flickr user KotomiCreations (licensed under CC BY-NC 2.0)References[1] Harkness, Dr. Kristen M. “William Morris and Philip Webb, Red House.” Khan Academy. Accessed June 02, 2017. [access].[2] Postiglione, Gennaro, and Francesca Acerboni. One Hundred Houses for One Hundred Architects. Hong Kong: Taschen, 2008. p272.[3] Marsh, Jan. William Morris and Red House. London: National Trust, 2005. p19-22.[4] Harkness.[5] Marsh, p29.[6] Postiglione and Acerboni, p276.[7] Marsh, p22-24.[8] Harkness.[9] Marsh, p29-32.[10] Harkness.Houses, Landmarks & Monuments, Residential•Greater London, United Kingdom ShareFacebookTwitterPinterestWhatsappMailOrhttps://www.archdaily.com/873077/ad-classics-red-house-arts-crafts-william-morris-philip-webb Clipboard Houses United Kingdom ArchDaily AD Classics: Red House / William Morris and Philip Webb Save this picture!The L-shaped footprint of the building allows it to focus in on the garden. ImageCourtesy of Flickr user Gabrielle Ludlow (licensed under CC BY-NC-ND 2.0)Written by Luke Fiederer Share Architects: William Morris & Philip Webb Year Completion year of this architecture project AD Classics: Red House / William Morris and Philip WebbSave this projectSaveAD Classics: Red House / William Morris and Philip Webb Project gallerySee allShow lessSasol Place / Paragon ArchitectsSelected ProjectsCasa Lluna / CAVAA ArquitectesSelected Projects Share Year:  ShareFacebookTwitterPinterestWhatsappMailOrhttps://www.archdaily.com/873077/ad-classics-red-house-arts-crafts-william-morris-philip-webb Clipboard 1859 CopyAbout this officeWilliam Morris & Philip WebbOfficeFollowProductsWoodGlassBrick#TagsProjectsBuilt ProjectsArchitecture ClassicsResidential ArchitectureHousesBuildingsLandmarks & MonumentsResidentialGreater LondonGothicHistoricismGothic RevivalsuburbsBrickArts & Crafts MovementMedievalNeo-Gothic19th CenturyEnglandBexleyheathUptonNational Trust1850s1860sTudorFunctionalismUnited KingdomPublished on June 16, 2017Cite: Luke Fiederer. “AD Classics: Red House / William Morris and Philip Webb” 16 Jun 2017. ArchDaily. Accessed 11 Jun 2021. ISSN 0719-8884Browse the CatalogAluminium CompositesTechnowoodHow to Design a Façade with AluProfile Vertical ProfilesRailing / BalustradesMitrexIntegrated Photovoltaic Railing – BIPV RailingMetal PanelsAurubisCopper Alloy: Nordic RoyalShelvingZeitraumWardrobe – Hide & ParkSignage / Display SystemsGoppionDisplay Case – Qd-ClassConcrete FloorsSikaIndustrial Floor CoatingsStonesCosentinoSurfaces – Silestone® Stone SeriesWindowsOTTOSTUMM | MOGSWindow Systems – FerroFinestra W20Panels / Prefabricated AssembliesULMA Architectural SolutionsMIS Facade PanelUrban ShadingPunto DesignPavilion – TentChairsInterstuhlConference Chair – Low With CastorsWoodreSAWN TIMBER co.Pre-Weathered Wood CladdingMore products »Save想阅读文章的中文版本吗?AD经典:莫里斯红屋 / William Morris and Philip Webb是否翻译成中文现有为你所在地区特制的网站?想浏览ArchDaily中国吗?Take me there »✖You’ve started following your first account!Did you know?You’ll now receive updates based on what you follow! Personalize your stream and start following your favorite authors, offices and users.Go to my stream “COPY” Projects “COPY” read more